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Past Exhibitions

by FOYPAC

Love in Its Seams / L’amour sous toutes ses coutures

Yukon Arts Centre

March 13 to May 21, 2021

Love in its Seams is an exhibition of eleven new acquisitions to the Yukon Permanent Art Collection.

Love gives life to each of these pieces – secret stories embedded in each tap, stroke and stitch. It is visible in the quality and attentive care taken to achieve them precisely as imagined. Love’s expression is vulnerable and can be a form of self-care, a ritual or a rejoicing. It can also capture the excitement that keeps one up at night or share moments of reflection during the creation process.

Love holds these pieces together. It is the interstitial spaces that subtly join each element and connects the artist to the work. It is also here, in the delicate in-between points, where things can crack open and come apart. All of these artists are courageous – committed to taking risks, trying new approaches, sharing a piece of themselves and knowing when to stop.

I hope you enjoy the exhibition and consider the points of connection between the artist and the artwork, what might have been the breaking point, and ultimately, how they are held together.

Yukon Permanent Art Collection 2019 Exhibition Poster of Yukon artists

Natural Connections / Liens naturels

Yukon University Innovation Centre

November 28, 2019 to  July 21, 2020

Inevitable connections emerge in artwork created in response to the North, remoteness and the wild. Natural Connections is an exhibition showcasing 11 new acquisitions to the Yukon Permanent Art Collection. Created in varied media and from diverse perspectives, these works were selected on their individual merit. By paying attention to their intersections a group, we can discover preoccupations, events, and conversations that are currently informing the wider art world, presented here from an unmistakably northern perspective.

Tributes are offered in the form of laborious sewing dedicated to the spirit of lost loved ones, portraiture in recognition of contributions to one’s community, and drawing that honours harvested wildlife. Repetitive art making processes serve as meditative acts to process emotions and ideas and as an echo of natural rhythms in the environment. They are also a stark contrast to the ubiquitous and instant nature of modern life. The bear appears, as curious character, powerful mother and wild neighbour. Another recurring reference is the mother as a role model and giver of life and lineage. Nostalgia, memory and formative childhood experiences also play prominently across the works. There are reflections on human connection and disconnection with the natural environment and invitations into imagined settings: a mother bear’s home in the forest, the moment of sunset in a field of fireweed.

Yukon Permanent Art Collection 2018 Exhibition Poster of Yukon Artists

A CLOSER LOOK / YANKAKLÁTIN / D’UN PEU PLUS PRÈS

Carcross/Tagish First Nation Learning Centre

November 16, 2018 to April 24, 2019

How often do we allow ourselves the time to pause and enjoy a moment, an object, or a memory? This exhibition offers an opportunity to experience an intimate grouping of five new works by Yukon artists, recently acquired for the Yukon Permanent Art Collection. These pieces were selected from a wide array of three-dimensional artwork proposed by Yukon and Canadian artists. They represent a focused effort to ensure that the collection continues to reflect the diversity of materials, techniques and styles represented in the Yukon visual art community.

Behind each fully resolved work of art lies an extended process of gathering: assembling ideas and materials in order to communicate a sense of the world, return to a memory, or process ideas and experiences that best find their voice through a chosen medium. They can be enjoyed as aesthetically compelling objects but they also present an invitation to gaze into imagined locales, witness personal stories and celebrate tradition.

In Float Plane LP 282, Dennis Shorty sought to recreate a beloved childhood toy made by his father while at the same time processing the painful memories of that same kind of plane taking him to and from residential school. For Teresa Vander Meer-Chasse, Untitled (Resilience) began as an exploration combining traditional and contemporary techniques to discover something new, then evolved into a symbol of honour and hope for women who have experienced trauma in relationships.The Battle Between Octopus and Squid captures a frozen moment of struggle and strength rendered in a stunningly intricate carving by Daniel Benjamin Gribben. Lorraine M. Wolfe sought a new challenge for herself in creating Bear Mother Mask, using the central figure and principles of Northwest Coast carving to guide the design while intuitively adapting her process to respond to the materials and spirit of the piece as it progressed. With Boreal Reverie Brooch Tamika Knutson pays homage to the North as home and a beautiful, fertile place filled with tiny, exquisite spaces within big bold landscapes.